I think most people are familiar with the 2i2. Price: Roughly £115 – $146 (USD) (Currently 15% discount in the GFTB Shop) When testing for the best audio interface for voiceover work we produced sound files so you can listen to the differences. We recorded all the audio samples with Drew Cain ( ), and the signal chain is very simply a Sennheiser MK4 going straight into the interface in question. Let’s take a look, and a listen to a few. Many brands on the market are worth looking at and offer many different price points and levels of complexity. The final part is to find the make and model that you want. Under the hood, there are differences in the way these receive and transmit data, but let’s take it as read for now that they all work well. There are options between USB, firewire, thunderbolt and even ethernet interfaces. So figure out how many inputs and outputs you need, and then look at your set-up – it should go without saying, but don’t buy a Thunderbolt interface if you don’t have a Thunderbolt port on your computer for example.
You’re always going to get better results if you record with equipment you can understand, there’s no point getting something all singing all dancing if it’s going to outface you. Also bundled into this consideration is how technophobic you are. You need to consider every recording scenario you undergo, and then future-proof yourself a bit. So how do you go about choosing yourself an audio interface? The first thing to consider is what you need it to do. In this article, we’re going to look at a few currently popular interfaces and try to find a fit for your studio. We know we need them, but we may not entirely understand what they do. I think audio interfaces are a particular case in point. Sometimes you can take that with the piece of salt it richly deserves, and at other times – like if you’re unfamiliar with what you’re trying to buy – it gets harder to see past the enthusiasm, and you may end up with something that’s unsuitable, maybe even unusable, for your needs. Some people are so passionate about their studio that they convince themselves that the equipment they have bought is the right equipment, and anyone who has bought different from them is just plain wrong. Unfortunately, there is an inherent danger in that. Whenever you’re in the market for a new piece of kit for your studio – whether you’re just setting up, upgrading or replacing something that’s broken – one of the best pieces of advice is to ask around other VOs and producers and see what other people are using. The Best Audio Interface For Voiceover Work Rob is a highly experienced sound engineer who runs the GFTB Home Studio Mentoring area as well as his own company…visit his website Bee Productive to find out more.
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This article, by Rob Bee, is an excellent overview of how to choose the best audio interface as a voiceover.
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